Dakota Johnson opens for whom Marvels Madame Web Fallor
Dakota Johnson does not regret “Madame Web”, despite the fact that Marvel Superheroes movie of 2024 is considered a critical and commercial failure.
In an interview with Los Angeles Times this week, Johnson said that the failure of the movie “was not my fault” and, instead, it was due to “many creative decisions” taken by “people who do not have a creative bone in their body.”
“It’s really difficult to make art that way. Or do something entertaining that way,” he explained. “And I think that unfortunately with ‘Madame Web’, it began as something and became something else. And it was a little for the trip at that time. But that happens. The most budget films fail all the time.”
Directed by SJ Clarksson, “Madame Web” stars in Johnson as Cassandra Webb, a paramedic whose brush with death awakens latent psychic powers. In addition to Johnson, the film presents a star support cast, which includes Emma Roberts, Adam Scott and Sydney Sweeney.
The “Madame Web” reviews were largely negative, with the Hollywood Reporter called it “an effort without air and forced driven by a mechanical script.”

Frazer Harrison through Getty Images
According to the reports, the film cost around $ 80 million to produce, but raised $ 25.8 million in its opening week, so it is the lowest box office in the history of Sony’s “Spider-Man” franchise.
Johnson, who returns to the big screen in the “The Materialists” romantic comedy, has previously hinted at his frustrations with “Madame Web”.
“Unfortunately, I am not surprised that this has happened as it has done,” he told Bustle in March last year, shortly after the movie was released. “I had never done something like that before. I will probably never do anything like that because I don’t make sense in that world. And now I know.”
“But sometimes in this industry, you enroll in something, and it is one thing and then, as you are doing it, it becomes completely different, and you are like, Wait, what? She added at that time. “But it was a real learning experience and, of course, it is not pleasant to be part of something that is torn, but I can’t say that I don’t understand.”
20 years of free journalism
Your support feeds our mission
Your support feeds our mission
For two decades, News has brought him the exclusive, the first and the shots of the news of those who are talking about all his friends. Support our mission of staying for the next 20: we cannot do this without you.
We remain committed to providing unwavering journalism and based on facts that everyone deserves.
Thanks again for your support on the way. We are really grateful for readers like you! His initial support helped us take us here and reinforced our writing room, which kept us strong during uncertain times. Now as we continue, we need your help more than ever. We hope you join us once again.
We remain committed to providing unwavering journalism and based on facts that everyone deserves.
Thanks again for your support on the way. We are really grateful for readers like you! His initial support helped us take us here and reinforced our writing room, which kept us strong during uncertain times. Now as we continue, we need your help more than ever. We hope you join us once again.
Support News
Already contributed? Log in to hide these messages.
20 years of free journalism
For two decades, News has brought him the exclusive, the first and the shots of the news of those who are talking about all his friends. Support our mission of staying for the next 20: we cannot do this without you.
Support News
Already contributed? Log in to hide these messages.
Johnson offered a more pragmatic version of the situation in his chat of Los Angeles Times, telling him at the exit: “There is no part of me that is like, ‘Oh, I will never do that again’ to anything. I have made even small films that do not work well. Who cares?”
Fortunately for Johnson, the early rumor in “The Materialists”, which is also starring Chris Evans and Pedro Pascal, has been positive. Critics who have examined the film so far have called it “a brutally realistic and beautiful examination of love”, while praising Johnson as “a perfect imperfect protagonist.”


