Taylor Swift spills on his new album in Kelce Brothers

Taylor Swift gave her a new album, “The Life of A Showgirl”, in the podcast “New Heights” of her boyfriend on Wednesday, providing fans some highly anticipated details about the inspiration behind her 12 studio album, her images and a release date.

The new Swift album, the first to launch since he regained control of the entire catalog of his recordings, will launch on October 3, told her boyfriend, the closed wing of Kansas City Chiefs, Travis Kelce, and her brother and coanfitrion of the podcast Jason Kelce, a former center of Philadelphia Eagles.

More than one million viewers were tune in in the first minutes of the premiere of the episode on YouTube.

Swift first revealed the new album and the title in a promotion clip for the podcast episode at dawn on Wednesday, holding a blurred album cover. The clip had already been seen more than 175 million times before the launch of the complete episode, demonstrating the enormous combined power of the couple.

Swift revealed that he worked on the album while he was on his Eras tour last year and shared the 12 song names in the podcast. Are the following:

“This album is about what was happening behind the scene in my inner life during this tour, which was so lush, electric and vibrant,” he said, pointing out that he worked on the album with Max Martin’s mentor and the Swedish producer and composer Shellback.

“This album is not really about what happened to me on stage,” he said. “It’s about what was happening outside the stage.”

As for the album’s musical style, Swift promised “Bangers.”

“It simply comes from the most infectiously cheerful, wild and dramatic place in which I was in my life,” he continued. “And for effervescence to have appeared in this registry.”

Erika Goldring/Tas24 through Getty Images

Travis Kelce agreed, saying that he is full of “more fun pop” and “emotion” compared to his latest album, “The tortured poet department”, whose energy Moody Swift said he reflected his life at that time.

“This life is more optimistic,” he said, promising “melodies that are so contagious that you are almost angry” in “the life of a showgirl.”

Fans are still waiting for a release date for the re-regulation of their debut, a homonymous album of 2006, the last of the Swift albums has reviewed to claim their music after Big Machine Records sold its catalog in 2019 to the investor Braun, who had links with the fast adversaries Kim Kardashian and Kanye West, now known as Ye.

Later, Braun sold the masters to Shamrock Capital. Swift bought them from the private capital firm earlier this year, announcing the news to fans in May.

Swift cried in the podcast when the Kelce brothers asked him about the moment he passed the purchase.

“Simply, as, very dramatically, I hit the floor, really. As, honestly, I began to shout,” he recalled, saying that his mother called her to tell her the news.

Jamie Squire through Getty Images

“This changed my life. I can’t believe it yet. Every time I think about it, it’s as if I had to tell the short version to everyone, because it is still so,” he said, pointing out his tears. “This will affect the rest of my life … What luck is I?”

Swift says he doesn’t care which version of album fans listen, but has a personal preference.

“It is really what they want. Because I love them both. I would not have taken the re-registrations if I did not think they were maintained or were better,” he said, but disclosed: “I think many of the voices I made in the re-registrations are better than the originals.”

Anyway, he continued, fans should listen to the first recordings if they find “nostalgia in the originals, and that was what you were listening when you were 12 years old, passing in your room,” he added.

The announcement of his last album arrives eight months after Swift concluded his record period tour, a series of almost two years of 149 concerts in 51 cities on five continents. It was the most devoted tour of all time, winning more than $ 2 billion in revenues.

Swift announced “the department of tortured poets” while accepting its 13th Grammy Award in the Grammys 2024. The measure caused a violent reaction among critics that felt that the Megaestrella robbed the center of attention in an event that celebrated artists throughout the industry.